About the Book:Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin. In five lucid and engaging chapters, Fuchs examines what passes in Cervantess fiction: gender and race in Don Quijote and Las dos doncellas; religion in El amante liberal and La gran sultana; national identity in the Persiles and La espaola inglesa. She argues that Cervantes represents cross-cultural impersonation — or characters who pass for another gender, nationality, or religion — as challenges to the states attempts to assign identities and categories to proper Spanish subjects. Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantess representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference. Table of Contents: Passing and the fictions of Spanish identity; border crossings – transvestism and “passing” in “Don Quijote”; empire unmanned – gender trouble and genoese gold in “Las dos doncellas”; passing pleasures – costume and custom in “el amante liberal” and La gran sultana; La disimulaci on es provechosa – the critique of transparency in the Persiles and “La espaanola inglesa”.